So I'm sitting in my office this morning, and the sound of one of my favorite orchestral compositions is emanating from my speakers: Symphony No. 3 by Aaron Copland (arguably the greatest American composer). What makes this piece so compelling for me is that Copland took a very simple musical theme--introduced right at the beginning--and then he weaved that theme intricately through four movements of a diverse cacophony of sounds. The symphony takes you through every expression of human emotion, with the voice of every instrument in the orchestra carrying the lead at different parts. There are moments of irritating dissonance, rhythmic complexity, and triumphant tonality. Yet the discerning listener will not fail to perceive the one voice that speaks through all this diversity. And that--I would argue--is the beauty of the best classical music.
I see the same compelling artistry in that wonderful book we call The Bible. From Genesis to Revelation, there is one redemptive theme clearly intended by the Author...one Voice that speaks. But from its pages leap a rich diversity of narrative, poetry, wisdom teaching, ethics, and doctrinal statements. Its Hero is presented in four distinct portraits (movements?), each with its own particular nuances, but all of which focus on the Cross and Resurrection as the central theme of His life.
Swiss Theologian Hans Urs von Balthasar once wrote that Truth is symphonic. I'm not quite sure how to interpret that statement. I mean...I'm not a relativist. I don't believe that there are multiple ways to Heaven, and I think a huge part of our calling as ministers of the Gospel is to draw a sharp distinction between truth and error.
At the same time, I can't help but think that part of what has made the Bible such a compelling book is that it is shaped with all the complexity of a great symphony...its Author is more like a storyteller, artist, or musician than a philosopher or a dogmatist. Is it possible that, out of the diversity of voices currently present in the Church, God may just be able to craft a beautiful work of art? Is it possible that when we all focus on Jesus Christ and His Cross, which is the theme of Scripture, then we will play in harmony? That even the dissonance that sometimes exists within the Church may be a part of the Composer's greater plan?
May we all play our parts in the Symphony of Triumph, trusting in the Composer's wisdom to make His One Voice heard through us.
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